Vaughan Williams had long been a collector of folk song
and had used the results in a number of works, either literally or by allusion.
Important compositions inspired by these folk songs included the three (the
third was discarded) Norfolk Rhapsodies (1906), the ballad-opera Hugh
the Drover (1924) and Fantasia on Greensleeves (1934) as well as
many arrangements for choir and solo singers.
Six Studies in English Folk Song, although not being exact transcriptions of any song have been identified with particular tunes. (Kennedy, Michael, A Catalogue of the Works of Ralph Vaughan Williams (Oxford, OUP, 1996))
1. Adagio
(Lovely on the Water: The Springtime of the Year)
2. Andante
sostenuto (Spurn Point)
3. Larghetto
(Van Dieman's Land)
4. Lento
(She Borrowed Some of her Mother's Gold)
5. Andante
tranquillo (The Lady and the Dragoon)
6.
Allegro
vivace (As I walked over London Bridge)
All
the tunes were collected ‘in the field’ by the composer. Each is presented in a
relatively simple manner and is then freely treated and ornamented by the
soloists. The mood of the complete set is reflective with only the concluding
allegro vivace being more outgoing. The impact of these studies is heightened
by their conciseness and brevity.
The Six Studies were dedicated to the cellist May Mukle (1880-1963) who gave the first performance at the Scala Theatre, London on 4 June 1926 during the English Folk Dance Society Festival. She was accompanied on the piano by her sister, Anne.
There are a number of versions of the Six
Studies in the R.V.W. catalogue including for solo violin, viola and clarinet.
In 1957 Arnold Foster (1896/8-1963) made an attractive arrangement for cello
and small orchestra.
Listen to Vaughan Williams’s Six Studies in English
Folk Song on YouTube, here. The performers are
Denise Djokic (cello), David Jalbert (piano).
With thanks to the English Music Festival where this was first published.