Wednesday, 29 April 2026

John Addison and Three Men in a Boat (1956)

One of my favourite films from “back in the day” is Three Men in a Boat, made seventy years ago this year. This realisation of Jerome K. Jerome’s Thames travelogue remains a timeless observation of human fallibility. This “comedy of errors” unfolds against the idyllic scenery of the river, which provides a golden-hued backdrop to the trio’s misadventures. Several elements combine to make this film a masterpiece: the performance by the three stars, the sophisticated, yet jaunty score by composer John Addison and the evocative riverside setting. It stands as a tribute to the British art at carrying on regardless.

The English writer Jerome K. Jerome was born in Walsall, West Midlands on 2 May 1859. Where remembered today, it is for his engaging conversational style that bridged Victorian sensibilities and a more modern, lightly ironic wit. Despite never again achieving the runaway success of Three Men in a Boat, he continued to write until his death in 1927. His output included plays, short stories, essays, and non-fiction as well as Three Men on a Bummel, the sequel to the present title.

The ‘technicolor’ film adaption was directed by English film maker Ken Annakin, with the screenplay developed by Hubert Gregg and Vernon Harris. The three eponymous stars were the suave Laurence Harvey as George, the moustachioed Jimmy Edwards playing Harris and David Tomlinson, who was later to play Mr Banks in Mary  Poppins, as Jerome “J.” Supporting cast included Shirley Eaton (some eight years before her appearance as a Bond Girl in Goldfinger), Jill Ireland, Robertson Hare, and Esme Cannon.

The plot is simple: three Victorian gentlemen, convinced they are suffering from various psychosomatic illnesses brought on by "overwork," decide that a rowing trip up the River Thames is the only cure. Accompanied by their sceptical fox terrier, Montmorency, they set off on a journey that is about relaxation but quickly descends into a series of alluring disasters.

The film delights in everyday incompetence: simple tasks become epic trials, tempers fray beneath Victorian politeness, and Montmorency observes it all with silent disdain. The entire movie celebrates the river’s quirks and reminds us that holidays go awry - and those mishaps become the memories we cherish most.

Sadly, the critic of The Monthly Film Bulletin was unimpressed: he wrote that "Jimmy Edwards and David Tomlinson should have been ideally cast in Jerome's delightful comedy. Unfortunately, the curious adaptation and clumsy handling have effectively destroyed most of the charm and humour of the original book. The slapstick is crude and uninventive.”

John Addison (1920–1998) was a prolific British composer recalled for his versatile, approachable style across film and concert hall. After serving in the 23rd Hussars during WWII, he studied at the Royal College of Music, later returning as a Professor of Composition.

He gained fame as the "Angry Young Man’s Composer," scoring classics like John Osborne’s play The Entertainer. His diverse portfolio includes the Oscar-winning Tom Jones (1963), the iconic TV series Murder, She Wrote theme and military epics such as Reach for the Sky. Of significant importance are his concert works which include the ballet score Carte Blanche, a Trumpet Concerto, and a Partita for string orchestra. Addison’s music, whether for the recital room or for the screen, is always approachable and well-crafted.

The score for the 1956 Three Men in a Boat fuses his Addison’s conservatory polish with a distinctly British lightness. Rather than the grand orchestral sweep typical of 1950s adventure or romantic films, he writes with chamber-like clarity, letting cheerful woodwinds propel the trio’s mishaps while serene pastoral strings evoke the Thames. His mock‑heroic brass elevates trivial triumphs into comic spectacle, perfectly matching the story’s Victorian self‑importance. Avoiding cartoonish literalism, Addison offers a witty, sophisticated commentary on the action. The score reveals his mastery of “light” music, crafted with the same rigour as his concert works.

Watch the opening and closing credits of Three Men in a Boat on YouTube, here.

 

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