The continuation of Donald Brook's pen portrait of Lennox Berkeley published in his book Composers Gallery.
Berkeley had a suite of Catalan
dances, Mont Juic, accepted for the
festival of the International Society for Contemporary Music [I.S.C.M.] at
Barcelona in 1936, and it was there that he first met Benjamin Britten. [1] The
two young composers found much in common and have been great friends ever
since.
One of Berkeley's best efforts is
the music he wrote to Frederick Ashton's ballet The Judgement of Paris, which was produced at Sadler's Wells in the
early summer of 1938. Shortly afterwards his setting of the psalm ‘Domini est
terra’ was given its premiere at an I.S.C.M. Festival [2] and repeated in
September 1938 at the Gloucester Festival. [3]
Since 1935 Berkeley has resided
in England, though before the outbreak of the Second World War he made frequent
visits to Paris. He at present holds a position on the BBC Music Staff,
to which he was appointed in
1942. [4]
Due perhaps to his French training,
he is a great believer in clarity and economy in composition and dislikes the
dry intellectual style one finds in what is commonly called ‘composer's music,’
although in my opinion some of his own works have a strong tendency in that
direction.
His Symphony, for instance, which
was first performed at a Promenade concert in 1943, [5] and which is
undoubtedly one of the most important of his recent works, is an interesting
but rather discordant effort which abounds with intellectual chatter,
entertaining though it may be. Rather more effective are his various piano
works, for his percussive style seems more at home on the keyboard. Lennox
Berkeley has a deep love for the classics and believes that one's form and
technique should always be based on that of the great masters. Mozart is his ‘model’
composer. He is
interested in film music and has
written for two productions himself: Hotel
Reserve (1944), [6] and Out of Chaos,
[7] a documentary film about the lives of the war artists, made in the same
year.
Among other recent works we find
his Serenade for string orchestra, first performed by the Boyd Neel ensemble in
1940; Sonatina for violin and piano, composed for Max Rostal [8] in 1942; a
String Trio, written for the Grinke ensemble in 1943; Divertimento for
orchestra, commissioned by the BBC (1943); the Piano Sonata (1945); and the
Sonatina for viola and piano written for Watson Forbes [9] in the same year.
Donald Brook, Composer’s
Gallery (London, Rockcliff, 1944)
Notes:
[1] Brook omits to mention that
the Mont Juic Suite was a joint
effort between Lennox Berkeley and Benjamin Britten. When first performed, the
composers did not reveal which who wrote what in this four-movement work. Years
later, Lennox Berkeley revealed to composer and musicologist Peter Dickinson
that he had composed the first two movement and Britten the last two. The four
movements are ‘Andante maestoso’; ‘Allegro grazioso’; ‘Lament: Andante moderato’
("Barcelona, July 1936") and ‘Allegro molto’. Both collaborated in
the work’s orchestration.
[2] The premiere of Domini est Terra (The Earth is the
Lord’) op.10 was given at the Queen’s Hall during the opening concert of the 16th
I.S.C.M. Festival in London on 17 June 1938.
[3] Domini est Terra was heard again at the Three Choirs Festival, in
Worcester Cathedral (not Gloucester, as stated in Brook’s Portrait) on 8 September 1938.
[4] Berkeley worked as an ‘orchestral programme planner.’
[5] Berkeley’s Symphony No.1,
op.16 was premiered at the Royal Albert Hall, London on 8 July 1943. The London
Philharmonic Orchestra was conducted by the composer.
[6] Hotel Reserve (1944) is ‘British spy thriller somewhat in the mould
of 1930s Hitchcock thrillers like The
Lady Vanishes. It combines suspense, some tongue-in-cheek comedy and a
little romance.’ (Classic Movie Ramblings
blog,
8 Jun 2010). It starred James Mason, Louise Mannheim and Charles Lom.
[7] Out of Chaos (1944) featured Anthony Gross, Kenneth Clark, Stanley
Spencer, as well as Henry Moore’s drawings of London Underground during bombing
raids. It is available to watch at the British Film Institute website.
[8] Max Rostal (1905 1991) was an
Austrian-born violinist and a viola player. He later took British citizenship.
[9] Watson Forbes (1909-1997) was
a Scottish-born violist and classical music arranger. Between 1964 and 1974 he
was Head of Music for BBC Scotland.
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