The first piece of music by Bryan
Kelly (b.1934) that I heard was his ‘Exultate’ which was published in the
Oxford Book of Modern Organ Music, Volume 1. It was played as a recessional
during a service in a Glasgow church. Since that time, I have come across a few
bits and pieces, including anthems, carols and liturgical music. YouTube has
uploaded the composer’s Symphony No. 1 (1983), however this is not a particularly
good recording, sound-wise. Suffice to say that from what one hears, this work
deserves a full professional recording.
The piece by Kelly that I know best
is his delightful Cuban Suite. The
composer noted that he ‘…wrote the Cuban Suite while still a student. It
remained un-played for three years but was eventually taken up by the BBC and
has become, since its first performance, a popular repertoire piece.’
The work was released on a
splendid LP recorded by the Leicestershire Schools Symphony Orchestra issued in
1970. The orchestra was conducted by Eric Pinkett. Other works on this album
included Arthur Bliss’s Introduction and Allegro, Andre Previn’s Overture to a Comedy,
John Ireland’s ‘Elegy’ from a Downland Suite, Herbert Chappell’s
Overture-Panache and Michael Tippett’s ‘Interlude’ and ‘Non nobis Domine’ from
A Shires Suite. I do not believe that any other recording of this Suite has
been made.
The sleeve notes of the Leicestershire
Schools Symphony Orchestra includes the composer’ analytical description of the
Suite: ‘The four movements in dance-like character, are unashamed attempts to
write popular light music with immediate appeal. The first movement [Siesta] is slow and
lazy, the second a 6/8 scherzo, the third a nostalgic tango, and the finale a
rumba in which two themes are eventually combined with the theme from the
opening of the Suite. After the first performance I was asked by the conductor if
I had written the Cuban Suite before or after the Castro revolution. I leave
the listener to guess my answer!’
There is little information
available to date the Cuban Suite, however I understand that it was composed
before 1960, therefore before Fidel Castro’s revolution. I guess probably sometime after 1956.
T..H writing in The Gramophone (April 1971) suggests
that this work is ‘uncommonly gifted for a student work, even if it is, as he
writes, an unashamed attempt to write popular light music with immediate appeal…’
He concludes his comment by suggesting that the School Orchestra ‘…enjoyed
playing the…tango…as relaxation from the demands of Bliss.’
The German newspaper
Westfalische Nachrichten (16
September 1970) reviewing a concert performance of this work in that country considered
that ‘Bryan Kelly's much - broadcast Cuban Suite brought it to a
sunny and tuneful close’ and that ‘its pithy brevity and marked character made
great demands on the musicianship of the orchestra.’
Bryan Kelly’s Cuban Suite, played by the Leicestershire
Schools Symphony Orchestra is available on YouTube. It includes a
brief introduction.
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