The
Suite Circle of Time (1975) is a meditation on the progress of the seasons. It
is strange in that there are five sections – and there are only four seasons!
The secret is the reprise of the New Year
Carillon at the works conclusion. The Carillon
opens the suite with its brittle, frosty bell figuration. It is definitely
winter time-and a cold one at that. I remember walking along the Thames near Barnes one January morning and the frost had
hit the riverside vegetation during the night. It was like fairyland. I wonder
if Blezard had enjoyed a similar walk from his nearby home? The movement dedicated
to spring is quicksilver – all over in 59 seconds. Yet a lot is said and the imagery
of ‘small creatures that scuttle about’ is well described. Summer Haze is a perfect little tone picture. Once again I wonder
if it is based on his home territory. Perhaps it is somewhere in Richmond Park when he would have heard ‘all the
live murmur of a summer’s day.’ It is truly the heart of this delicious suite. Autumn Contrasts literally does that.
The composer contrasts ‘vivace semiquaver triplets’ with much softer more
introverted material. Autumn is often a sad time of year. With leaves blowing
in the wind, the trees becoming bare and the days ‘drawing in.’ Fires burn and
leaves are consumed. And finally winter returns – the New Year bells ring out
the old and ring in the new. It ends with a perfect hush. This work for me is
possibly the most moving of the Blezard opus that I have so far heard.
Circle of Time is available on Priory Records (PRCD 617) played by Eric Parkin. However, I believe that it has been deleted from the catalogues and is only available second hand.
Circle of Time is available on Priory Records (PRCD 617) played by Eric Parkin. However, I believe that it has been deleted from the catalogues and is only available second hand.
No comments:
Post a Comment