I
guess that everyone knows the beautifully romantic (if over the top) score to the
film Dangerous Moonlight. This music is better known as the Warsaw Concerto. Richard Addinsell wrote
this great piece ‘surrounded by the scores of Rachmaninov’s Second and Third
Concertos and the ‘Paganini’ Variations.’ However I imagine fewer people will
have come across the music to the film The
Black Rose. This 1950 film directed
by Henry Hathaway and starring Tyrone Power, Orson Welles, Cecile Aubry and
Jack Hawkins and is loosely based on the book of the same title by Thomas B. Costain. The scene was set in thirteenth
century Britain and the Far East. It
concerns the nobleman Walter of Gurnie (played by Power) who is involved in an
unsuccessful uprising against the Normans. He is outlawed, so he decides to
seek his fortune in the Far East. He travels with his friend Tristam (Jack
Hawkins) and on his journey meets the Mongol warlord Bayan, played by Orson
Welles. Predictably, Walter falls in love with the lovely Maryam (Cecile Aubrey)
whilst both are ‘guests’ in Bayan’s prison.
I
do not intend to give the remainder of the plot –save to say that love does not
run smoothly. However, the film does have a satisfactory ending. This is more
than can be said for the musical score. Philip Lane has noted that Addinsell
should have been given the opportunity to compose an expansive, epic score.
However, the music appears to be somewhat fragmented. However, Lane has made a short suite of the
score which is rewarding.
The Chandos recording has three short sections: the main titles and opening scene, followed by; In the Empress’s Place and lastly The Black Rose Theme. After a short fanfare the music sweeps into a big, but not extravagant tune. The second section is the more oriental sounding music from the Empress’s court and uses some interesting percussion effects. Lane points out that this music runs through much of the film’s screen time. Finally the ‘Black Rose’ theme concluded this suite. This section was issued as a very complex and decorated piano solo sheet music. However, this has been reduced to its original form. This is a very beautiful and heart-breaking melody.
Ian
Lace writing in April 2003 on MusicWeb International was impressed with ‘the ...
the delicate oriental figures of ‘In the Empress’s Palace’ ...the lovely
sweepingly romantic Title Theme...’
Richard
Addinsell’s The Black Rose was
released on a retrospective of his film music on Chandos CHAN 10048 in 2003.
There
are no YouTube postings for this music; however the Amazon
site gives three little extract which will allow the listener to sample this
music.
2 comments:
I'd be interested to hear your take on his music for The Greengage Summer, a film that haunted me as a young man. A suite from the film was issued on an ASV CD about 15 years ago--http://www.amazon.co.uk/Addinsell-Warsaw-Concerto-Richard/dp/B0000030Z6
Paul
Thanks Paul,
I will listen to this score over the weekend...and let you know, here.
J
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