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Clive Richardson is probably best
known for his ‘major’ light music works such as the wartime London Fantasia for piano and orchestra (1942)
and his railway inspired miniatures such as Melody
on the Move and Running off the Rails.
Perhaps less well-known is the fact the he provided the score for Will Hay’s film
masterpiece Oh Mr. Porter (1937).
Beachcomber opens almost quietly but comically with a catchy
bassoon melody – soon this is joined by other woodwinds. After this material has played out the middle ‘eight’
is given on strings with light percussion. It is a lot more romantic. The brass
section adds their commentary on the proceedings. And then there is even a Spanish
moment complete with castanets. However,
the bassoon melody always seems to be in the background. The work ends as quietly as it begins.
Ernest Tomlinson has described
this work as presenting the image of ‘walking idly along the sea-coast, inspecting
the miscellaneous debris brought in by the tides...’ Perhaps it is as he suggests
the retired socialite or businessman who has opted for a quiet life by the
seaside? Or maybe it is just two lovers
passing the time of day? Whatever the
background, this is a relaxing piece of music that does not ask too much of the
listener.
Clive Richardson’s Beachcomber can be heard on Hyperion CDA66968
or Marco
Polo 8.223522.
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