
March Wind was composed, or at least published by Joseph Williams in 1937. It is a miniature toccata really that certainly manages to give a sense of movement and a feeling of nasty weather. It is not an easy piece, in spite of being (and I am guessing) about Grade 6. The left hand part is typically played staccato and ranges over three octaves. The effect id created by at least three note patterns which are repeated and juxtaposed Most of this piece are largely diatonic, yet in the last four bars there is a considerable amount of key change and a little descending chromatic scale in the left hand. Alas The Musical Times does not give the piece a good review – “it is a rather meagre little breeze set up by quick finger work – a useful study no doubt.”
Yet all that said, I enjoy playing it and surely one is reminded of the Swinburne poem:-
www
Mad March, with the wind in his wings wide-spread,
Leaps from heaven, and the deep dawn's arch
Hails re-risen again from the dead
Mad March.
www
Soft small flames on rowan and larch
Break forth as laughter on lips that said
Nought till the pulse in them beat love's march.
www
But the heartbeat now in the lips rose-red
Speaks life to the world, and the winds that parch
Bring April forth as a bride to wed
Mad March.
1 comment:
Thank you for your take on Swinstead, which is the first article I've read on him (I hope to read a few more).
I bought two of his pieces recently at a second-hand book stall in Manchester. I had never heard of him!
I'm looking forward to playing them when I've transcribed them into Klavarskribo. They are:
Humoresque Op. 21;
Valse Impromptu Op. 26, No. 1.
Thanks again.
yosemitefrank@yahoo.co.uk
Post a Comment