I recently came across a review of the first chamber music concert sponsored by Thomas Dunhill on
7 June 1907. I find that even a short review like this needs to be glossed, as
many of the personalities are no longer commonly known. In the first concert
none of the British works have survived in the repertoire: there are no
recordings available. The music in the second concert has faired better. I will
add a further review of this concert at a later date.
7 June 1907
Mr. Thomas Dunhill [1] is to be warmly commended for his scheme of
chamber concerts given at Queen’s (small) Hall, [2] for the programmes made
generous recognition of living British composers. At the first of these, on
June 7, the opening work was Mr. Joseph Holbrooke’s Sextet No. 2, op. 32, [3] written
‘In memoriam’ of the late Frederick Westlake [4], the well-known professor of
the pianoforte at the Royal Academy of Music. This work consists of three movements,
the most significant of which is a central elegie instinct with sincere feeling.
The first movement has an expressive principal theme, and contains several
impressive passages, but in its entirety is not so coherent as could be
desired. The finale is a lively rondo of somewhat conventional character. The
work was played in spirited fashion, with Mr. Holbrooke at the pianoforte, and
the Saunders Quartet, assisted by Mr. G. Yates. [5]
Three tasteful and effective pianoforte pieces -severally entitled Intermezzo,
Prelude, and Caprice - were admirably played by their composer, Mr. James Friskin;
[6] and a sympathetic setting, by Mr. Cecil Forsyth, [7] of Rossetti's poem ‘Remembrance,’
was charmingly sung by Miss Phyllis Lett. [8]
The programme concluded with Dvorak’s Pianoforte quintet in A (Op. 81),
played by Mr. Thomas Dunhill and the Saunders Quartet. [9]
Musical Times July 1907 p.475
[1] Thomas Dunhill was an English composer and teacher. Born in London
on 1 February 1877 he studied with Sir Charles Villiers Stanford at the Royal
College of Music. In 1907 he founded the
‘Concerts of British Chamber Music’ which were to hold an important place in
London musical life. They continued until 1919. His compositions include an operetta Tantivy Towers (1931), a fine Symphony in A minor (1916) and a huge
quantity of piano music, much of it for teaching purposes. Dunhill died on 13
March 1946 in the Lincolnshire town of Scunthorpe.
[2] The Queen’s Hall, Langham Place was officially opened on 27 November, 1893
with a children’s party in the afternoon and an evening concert played before
the Prince of Wales. It is most famously associated with Sir Henry Wood and the
Promenade Concerts. At the top of the building was a small recital room which
had a capacity of about 400. The entire building was destroyed on 10-11 May 1941
by a German air raid.
[3] As always, with Joseph Holbrooke’s music it is difficult to
precisely situate this work in his catalogue. I believe that is is Sextet for
Piano, String Quartet and Double Bass ‘In memoriam’ op.46 (1905). (See
catalogue in Joseph Holbrooke, Composer,
Critic and Musical Patriot, Rowman & Littlefield, London, 2015) The
work was originally composed as a Piano Quintet no.3 (c.1903). There are three
movements: Allegro, adagio and poco vivace-adagio. In the above review it refers to
op.32.
[4] Frederick Westlake was born in Romsey, Hampshire on 25 February 1840. He
studied at the Royal Academy of Music from 1855-59. His teachers included
Walter Macfarren (piano) and George A. Macfarren (harmony). In 1860 he became
associate-professor followed by full professorship of piano in 1863. In 1862
Westlake was appointed to the faculty as piano teacher. He was a member of the
Philharmonic Society and the Society of Musicians.
Westlake composed a Mass in E flat, many hymn
tunes, piano pieces, and a collection of part-songs, Lyra Studentium. He completed William Sterndale Bennett’s edition
of J.S. Bach’s 48 Preludes and Fugues. At one of W. H. Holmes's ‘Musical
Evenings’ (St George's Hall, October 22, 1873), he performed, with Miss Agnes Channel, Chopin's Rondo, op. 73, for two pianos, probably for the first time in
London.
Frederick Westlake died in St. Marylebone,
London on 12 February 1898.
[5] Mr. G. Yates. I was unable to find any detailed information on this
musician. He was an active double-bassist in the first part of the 20th
century. Any information would be welcome.
[6] James Friskin was born in Glasgow
on 3 March 1886. He studied with Alfred Heap in his hometown before gaining a
piano scholarship to the Royal College of Music, aged fourteen. He studied there
with the pianist Edward Dannreuther and Frits Hartvigson. In 1905 he began
study of composition with Sir Charles Villiers Stanford. Between 1909 and 1914 he taught at The Royal Normal College
for the Blind in Upper Norwood. By invitation of Frank Damrosch, Friskin sailed
to the United States during October 1914. He taught at the Institute of Musical
Art. He was to become a founder member of the faculty at the Julliard Graduate School, the Institute’s successor. During
1944 James Friskin met the English composer Rebecca Clarke. They had been at
college together. They were married in September of that year.
Friskin’s compositions includes a lost
piano concerto, a Suite in D minor for orchestra a number of chamber works
including a Cello Sonata, some piano music and various Cobbett-inspired
Phantasies. James Friskin died in 16 March 1967 in New York City.
[7] Cecil
Forsyth born 30th November 1870 in Greenwich. He was another of the
RCM protégés. He studied under both Charles Hubert Hasting Parry and Charles
Villiers Stanford. He was a violist in Sir Henry Wood’s orchestra at the
Queen’s Hall. Forsyth composed at least two operas, Westward Ho! and Cinderella, however his undoubted
masterpiece is the Viola Concerto in G minor (1903). His treatise on Orchestration
(1914) remains an important standard work. Forsyth died as a result of a street
accident in New York on 7 December 1941 whilst working for the publishing firm
W.H. Gray.
[8] Phyllis Burgh Ker née Lett was
born in Wakefield during 1884. As a mezzo-soprano, Lett was a popular
recitalist during the nineteen twenties.
The Times reports that she
‘had a pleasing voice of even quality, intelligence and interpretation and
persuasive delivery. The RCM Magazine notes that she was possessed
with a magnificent contralto voice [and] was perhaps one of the most famous
oratorio singers of her day, and was in great demand at the chief festivals…’ Lett
died in Yea, Victoria in Australia on 1st June 1962.
[9] Saunders
Quartet were originally called the South Place Quartet, It was founded in 1892
by John Saunders. The original players were John Saunders, first violin; A. G. Kentleton,
second violin; Thomas Batty, viola; and F. Casano, violoncello. The Saunders Quartet
had a considerable impact in stimulating appreciation of chamber music in
London. The quartet featured many new
works by contemporary British composers.
It was disbanded upon the death of Saunders in 1919. At the present performance the players were Messrs. John
Saunders, H. Waldo Warner, Ernest Yonge and J. Preuvners.