British Classical Music: The Land of Lost Content

‘Smart, well-written and knowledgeable’ – Saga Magazine

Tuesday, 3 February 2026

Ron Goodwin: Jet Journey (1952)

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My early flights were all on turboprops, and it was not until my first transatlantic crossing that I finally experienced a large jet. Jets t...
Saturday, 31 January 2026

‘Impressions’ by C.B. Rees: Alan Rawsthorne

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When this “Impression” was published in the May 1952 edition of London Musical Events , Alan Rawsthorne would have been 47 years old. Behind...
Wednesday, 28 January 2026

Three Pieces Arranged by Humphrey Searle by Thomas Roseingrave Part III

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In 2006, Naxos Records released the fifth volume of their survey of English String Miniatures   (8.557752) .  It featured a number of deligh...
Sunday, 25 January 2026

In Search of Youkali: The Songs of Kurt Weill

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I first came to Kurt Weill’s music through a Radio Three broadcast (April 1975) of The Rise and Fall of the City of Mahagonny starring his ...
Thursday, 22 January 2026

Three Pieces Arranged by Humphrey Searle by Thomas Roseingrave Concert Reviews: Part II

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In his unpublished autobiography Quadrille with a Raven, Searle recalled that “the concert, which took place on [17 April 1939], also inclu...
Monday, 19 January 2026

Three Pieces Arranged by Humphrey Searle by Thomas Roseingrave: Origins: Part I

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Humphrey Searle (1915–1982) was an English composer whose music fused late‑Romantic passion with the disciplined modernism of serial techniq...
Friday, 16 January 2026

William Sterndale Bennett: Piano Concertos on Lyrita

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Readers will doubtless disagree, but since first hearing the opening movement of William Sterndale Bennett’s Piano Concerto No.4 in F minor,...
Tuesday, 13 January 2026

It's not British, but...Maurice Duruflé: Complete Organ Music

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Whenever I encounter a CD purporting to offer a composer’s “Complete” works, I make a point of checking whether that claim holds up. In the ...
Saturday, 10 January 2026

Thomas Tallis: Spem in Alium

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It is not often that I remove myself from my comfort zone of late 19th/mid 20th century music. A recent visit to St Alphege’s Church in Gree...
Wednesday, 7 January 2026

It's not British, but...Mirrors and Echoes - Ravel and others

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The advertising pitch explains that Aïda Lahlou’s debut album offers a striking reimagining of Ravel’s Miroirs , casting new light on its ec...
Sunday, 4 January 2026

Gustav Holst and J.S. Bach: Fugue à la Gigue

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What better way to herald the New Year than with a work pairing of two musical titans? Prepare to be impressed as the work of the composer w...
Thursday, 1 January 2026

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  A Happy and Prosperous New Year To All Readers of The Land of Lost Content   Some Significant (and less so) Composer Anniversaries f...
Sunday, 28 December 2025

All the Stars Looked Down: A John Rutter Celebration

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Christmas would not be Christmas without The Choir of King’s College, Cambridge. Whether it is the annual service of Festival of Nine Lesson...
Thursday, 25 December 2025

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  A Merry Christmas To All Readers and Followers of 'The Land of Lost Content'  The Star of Bethlehem, by Edward Burne-Jones The...
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About Me

John France
United Kingdom
I am over sixty years old: the end of the run of baby boomers! I was born in Glasgow, moving south to York in the late ‘seventies. My main interest is British Music from the nineteenth century onwards. I love the ‘arch-typical’ English countryside – and have always wanted to ‘Go West, Boy’. A. E. Housman and the ‘Georgian’ poets are a huge influence on my aesthetic. I have spent much of my life looking for the ‘Land of Lost Content’ and only occasionally glimpsed it…somewhere in…??? My recently published work includes essays on Ivor Gurney’s song ‘The Carol of Skiddaw Yowes.’ for the Gurney Society Journal, Alan Rawsthorne’s Cello Concerto for the Rawsthorne Society Journal and Delius song ‘I Brasil’. I have contributed to the journals of the British Music Society, the Ralph Vaughan Williams Society, the Finzi Society, the Bliss Society, the Glasgow Society of Organists, the Berkeley Society, and regular CD reviews for MusicWeb International. I regularly contribute programme notes to the English Music Festival.
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