Scored for a large orchestra including piccolo, trumpets, and triangle, the piece opens with a mischievous motif that sets the tone for a light-hearted musical narrative. Its three part structure suggests a vignette - a brief scene from an imaginary ballet - envisaging an engaging dancer teasing and twirling across the stage. The music alternates between cheeky woodwind interjections and sweeping string passages, creating a sense of theatrical motion and personality.
Though not part of a full ballet, Coquette evokes the spirit of dance with its vivacious rhythms and flirtatious character, true to its title, it has elegance and vivacity that characterise Coates’s style, blending Edwardian grace with early 20th-century wit.
It shares stylistic traits with his other orchestral miniatures written around this time, such as Summer Days and Wood Nymphs Valsette, which similarly conjure vivid imagery through concise musical storytelling.
Coquette is a snapshot of Coates’s gift for melody and orchestration. It captures the spirit of a bygone era - refined yet whimsical - and stands as a testament to his ability to craft music that dances even without dancers. For enthusiasts of British light music, it is a charming gem worth reviving.
You can listen to Eric Coates’s Coquette on YouTube, here. The BBC Concert Orchestra is conducted by John Wilson, and the recording was released on the ASV Record label, CD WHL2107 (1997).
Bibliography
- Lace, Ian. In Town Tonight: A Centenary Study of
Eric Coates, Thames Publishing, 1986.
- Payne, Michael. The Life and Music of Eric
Coates, Ashgate Publishing Ltd, 2012.

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