The Piano Concerto is a case in point. I have no doubt that if this work was by a Polish or German composer it would be in the public domain. As it stands, I imagine that it is well known only to a handful of British music enthusiasts. Yet, what a great and wonderful work it is. It is not really necessary to try making comparisons. I do not agree with Andrew Burn’s liner notes (Naxos 8.557290) that it nods to Mozart. What we have is a beautifully composed piece that throws introspection and an extrovert, almost ‘puckish’ feel, into contrast, yet manages to give a satisfying sense of completeness. The heart of the work is the reflective ‘Theme and Variations’ – this movement is quite bitter-sweet and stays in the mind long after the last note plays. The last movement, an ‘allegro giovale,’ is a tour de force. However, there are some quieter, more introverted moments and there is a reprise of the slow movement ‘tune’ towards the end. But this is positive, uplifting music that is a joy and pleasure and a privilege to listen to.
Listen to Howard Ferguson’s Piano
Concerto in a live performance Howard
Shelley, piano and the Royal Liverpool Philharmonic Orchestra, conducted by Sir
Charles Grove on YouTube, here.
Ferguson, Howard, Concerto for piano and strings with Amore langueo, Howard Shelley, piano, Martyn Hill, tenor, London Symphony Chorus and the City of London Sinfonia/Richard Hickox EMI 0777 7 64738 2 6 (1986)
Ferguson, Howard, Concerto for piano and strings with concertos by Christopher Darnton, Alec Rowley and Roberto Gerhard, Northern Sinfonia, Peter Donohoe, piano/conductor, Naxos 8.557290 (2005)
Ferguson, Howard, Concerto for piano and strings with with concerted works by Finzi, Austin and Rawsthorne SOMMCD241, 2009
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