The added value to this lovely CD
is the inclusion of several numbers from Benjamin Britten’s ever popular A
Ceremony of Carols (1942). On the very few occasions that I have heard this
work in the concert hall or church it has been in its entirety. The Clifton Cathedral
Choir have selected eight numbers from the twelve and presented them at
intervals during the programme. The
opening ‘Processional’ is particularly well performed here. The singers are
heard in the distance and gradually get nearer to their choir stalls. Very
atmospheric, and it works well on CD. ‘Wolcum Yole’, with a text written in
Middle English is joyful and buoyant.
This is followed by William Matthias’s equally exuberant ‘Alleluya, a new
work is come on hand’ with his characteristically rhythmical organ
accompaniment. In many carol concerts
Henry John Gauntlett’s ‘Once in Royal David’s City’, fulfils its role as the
introit. Here it comes as the third number. It is heard in David Willcocks’s
ubiquitous arrangement. Francis
Poulenc’s ‘Hodie Christus natus est’ is a bouncy piece written in the style of
a madrigal. It makes a splendid celebration of the Birth of Christ. The carol
that we all learnt at infant’s school ‘Away in a Manger’ is heard in Willcock’s
setting.
Adding variety to these choral
celebrations are several chorale preludes: four from J.S. Bach’s Orgelbüchlein
and two from Johannes Brahms. These iconic pieces sound excellent on the 1973 Rieger
organ. This instrument was installed at the time of the Cathedral’s
consecration.
A lovely rendition of the
hymn/carol ‘It came upon a Midnight Clear’ is then heard. Written by Arthur
Sullivan and ‘souped up’ by David Willcocks (how often does his name crop up in
reviews of Christmas music?), it is one of the Yuletide favourites.
Two more numbers from A Ceremony
of Carols follows: the prayerful ‘There is no rose’ and ‘This little Babe’.
This latter piece has a vibrancy and urgency that seems far away from the tranquillity
of the Nativity. In fact, it is a meditation on the theological dogma of Jesus becoming
Incarnate to destroy sin and the works of the Devil.
After Brahms’s thoughtful chorale
preludes ‘Schmücke Dich, O Liebe Seele’, op.122 no.5 and ‘Es ist Ein' Ros'
Entsprungen’, op.122 no.8, we hear Britten’s jubilant ‘Balulalow’ followed by
an introspective ‘Interlude’ for solo harp.
‘Guadete’ is a traditional
Scandinavian carol that was first published in Piae Cantiones in 1582.
Unfortunately, back in the day (1972) it was taken up by the folk-rock group
Steeleye Span: I have heartily disliked it since then!
Neither have I warmed to John
Gardner’s ‘Tomorrow will be my Dancing Day’. I cannot quite put my finger on
it: it is just one of those things. It is neatly sung here, though, with some magical
effects on the organ flues.
No carol service would be
complete without ‘Ding Dong Merrily on High’. This arrangement is by (once
again) David Willcocks. This carol is difficult to execute to perfection: this
is achieved here.
The great Christmas Favourite, ‘Hark
the Herald Angels’ is given a superb performance. Sometimes it is forgotten
that this tune was composed by Felix Mendelssohn. Usually heard in the
Willcocks version, it is sung here in Richard Jeffrey-Gray’s equally impressive
arrangement complete with an inspiring descant.
The CD concludes with two final numbers from A Ceremony of Carols: ‘Deo Gracias’, which includes the 15th century text ‘Adam lay ybounden’ and the ‘Recession’. This latter piece allows the choir to retreat into the vestry. The Cathedral, with the worshipers, is left in darkness and peace.
The liner notes provide virtually no details about this music. It seems a tradition of Hoxa Records not to include the forenames of each composer, and in this case, their ‘dates.’ A few notes about Clifton Cathedral, the Choir and the Organ are included. There is no organ specification.
The recording does not suffer in any way from having been made 23 years ago. It is as fresh and vibrant now, as it was then.
This is a delightful CD that
explores a wide range of Seasonal Music. It is beautifully performed and
played. The numinous atmosphere, so often lost in the commercial noise of
Christmas, is present here in every bar.
Benjamin BRITTEN (1913-76) A Ceremony of Carols, op. 28 (1942): Procession; Wolcum Yole!
William MATHIAS (1934-92) Alleluya, a new work is come on hand
Henry John GAUNTLETT (1805-76) arr David WILLCOCKS (1919-2015) Once in Royal David's City
Francis POULENC (1899-1963) Hodie Christus natus est
William James KIRKPATRICK (1838-1921) arr. David WILLCOCKS Away in a manger
J.S. BACH (1685-1750) Gott, durch deine Güte, BWV 600
J.S. BACH Herr Christ, der ein'ge Gottes-Sohn, BWV 601
Arthur SULLIVAN (1842-1900) arr. David WILLCOCKS It came upon the midnight clear
Benjamin BRITTEN A Ceremony of Carols, op. 28: There is no rose [2:43]; This little Babe
Johannes BRAHMS (1833-97) Schmücke Dich, O Liebe Seele, op.122 no.5 [2:19]; Es ist ein' Ros' Entsprungen, op.122 no.8
Benjamin BRITTEN A Ceremony of Carols, op. 28: Balulalow; Interlude
Trad. Gaudete
John GARDNER (1917-2011) Tomorrow shall be my dancing day
J.S. BACH Der Tag, der ist so freudenreich, BWV 605
J.S. BACH Von Himmel kam der Engel Schar, BWV 607
Trad 16th century French Tune arr. David WILLCOCKS Ding Dong! Merrily on high
Felix MENDELSSOHN (1809-47) Hark! the herald angels sing, arr. Richard JEFFREY-GREY (b.1934)
Benjamin BRITTEN A Ceremony of Carols, op. 28: Deo Gracias; Recession
Clifton Cathedral Choir/David Ogden, Ian Bell (organ), Catherine Snelson (harp)
Rec. Clifton Cathedral 1997
HOXA HS 970802
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