Raymond Premru: Music from Harter Fell for brass ensemble

In my recent post about the ‘Cheltenham Symphonies 1970-1994’ I noted the superb recording of Malcolm Arnold’s Symphony for brass performed by the Philip Jones Brass Ensemble. It was originally released in Argos LP (ZRG 906) on 1979. One of the other pieces on this LP that caught my eye (and ear) was Raymond Premru’s Music from Harter Fell.

First, a few words about the composer. Raymond Premru was born in Elmira, New York, USA on 6 June 1934. After graduation from the Eastman School of Music in Rochester, he moved to the United Kingdom during 1956. For some 30 years he was bass trombonist with the Philharmonia Orchestra in London. Premru developed a close association as a member of the Philip Jones Brass Ensemble which endured for 26 years. He was interested in a wide range of music, especially jazz, big band and rock. This led to recording contracts with The Beatles, Pink Floyd, the Rolling Stones and Frank Sinatra.  Much of Premru’s career was taken up with teaching: he taught at his alma-mater as well as the Guildhall School in London. Between 1988 and 1998 he was Professor of trombone at the Oberlin College Conservatory of Music.

As a composer, Raymond Premru wrote a diverse catalogue of music, including two symphonies, several brass concertos and much music for brass and jazz ensembles. His ‘classical’ musical style is nominally tonal (with ‘acceptable dissonances’), and clear influences from Charles Ives, Alban Berg and Igor Stravinsky.

Raymond Premru died in Cleveland, Ohio on 8 May 1998.

Music for Harter Fell was composed specifically for the Philip Jones Brass Ensemble and was premiered at the 1973 Cheltenham International Music Festival. The work is scored for three trumpets and three trombones. The record sleeve-notes suggest that the work was inspired by a holiday in the Lake District. 

It is difficult to know if Premru chose to compose a descriptive piece of programme music or whether it was the landscape that gave him the initial impetus for this work.

The composer has written that the fundamental musical material is derived from the intervals of a minor third and a minor second. The formal structure of the work is a single movement divided into three contrasting, but related, sections. The opening of the work is chorale-like, but soon developing into a more contrapuntal structure. The second section is ‘an invention’ or ‘improvisatory pointillism’ written in four parts. Finally, Premru has provided as rather thoughtful ‘Pastorale’ to conclude the work.

The only recording of Raymond Premru’s Music from Harter Fell was included on the above-mentioned Philip Jones Brass Ensemble’s 1979 disc ‘Modern Brass’ Argo ZRG 906. The music was recorded at the Church of St George the Martyr during January 1979. Other works on thus LP included the vibrant Capriccio for brass quintet by Leonard Salzedo and Malcolm Arnold’s ‘brilliant, brash and wistful’ Symphony for brass instruments.

The October 1979 edition of The Gramophone advertised ‘Modern Brass’ with the splash ‘Sunshine into Autumn’. The sleeve was a modern subversive design with graffiti-like artwork. There were five new LPs from Argo, including Mozart Flute Concerti, Music from King’s College, Parry’s English Lyrics and Handel Ballet Music.

The following month Malcolm MacDonald (The Gramophone, November 1979) wrote that: ‘There is unification in the sound of [Harter Fell]; though using only three trumpets and three trombones, it is yet the variety of sound, within these limitations, which is nevertheless the more remarkable. Variety of style seems rather less readily at call; but the overall effect of one continuous movement in tune with Premru's stated intentions… If perhaps long-winded, the result remains a very attractive one.’

I certainly do not agree with MacDonald’s sentiment that this is ‘long-winded.’ For my taste the composer has got the balance just about perfect.

Raymond Premru’s Music for Harter Fell has been uploaded to YouTube (accessed 3 December 2018)