The Quartet
for Strings No.7 in Eb was written in 1916: this was in the middle of the
First World War. Therefore, it is hardly surprising that this work was
subtitled 'Threnody'. It is a song of lamentation.
This quartet is written in four movements with
three of them being slow. The work opens with a very dark and lugubrious Lento.
However there are some moments of warmth in this movement. With increasing
complexity it builds up to a climax which resolves itself into a restatement of
the opening theme.
This is a satisfying opening movement, showing the
composer's genius to the full. The short second movement is full of string
effects. The programme notes describe them as ‘late Elgarian arpeggios and
motoric figures.’ All too soon we are in the ‘Allegro Molto. There is no doubt
that this is the heart of the work. Here we have a stunning display of string
writing. Tunes seem to be passed ‘to and
fro’ across this movement. Suddenly a gorgeous phrase is taken up, used and
then seemingly cast aside. There is no doubt that this is a masterpiece of
string writing. Not until Britten and Tippet do we reach such an understanding
of how a string quartet works within British chamber music.
The last movement is a meditation the old Scottish
Lament - Flowers of the Forest. This
song was composed to remember the fallen at the battle of Flodden in 1513, and
is a highly appropriate choice for a work written during the 'War to End all
Wars.' Somehow McEwen manages to avoid any sense of the parochial or of pathos
or sheer sentimentality. It is a beautiful and perfect ending to a splendid
composition.
John
Blackwood McEwen’ Quartet for Strings No.7 in Eb can be heard on Chandos
CHAN9926.
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