Regis has presented the listener
with a perfect introduction to British (Australian!) Light Music. These
historical recordings cover a diverse group of composers; however most of the
tunes will be familiar, if not by title then by ‘sound’. Enthusiasts of this
genre will probably have umpteen examples of each of these pieces in their CD
or iPod libraries. However, for someone wishing to explore the field there
could be no better place to begin.
There are many Light Music
recordings these days: I recall some 30 years ago trying to track down a copy
of Robert Farnon’s ‘Portrait of a Flirt’. I eventually found one on an obscure
cassette tape! Nowadays there are seven versions listed on Arkiv and no doubt
many more lurking in compilations.
Recordings of this type of
musical work tend to come in two guises- one is ‘historical’ and the other is freshly
minted. Ronald Corp’s adventures on Hyperion are a good example of the latter,
whereas the massive cycle of Guild Light Music CDs reflects the huge interest
in the former.
The present collection has been
lightly ‘themed’. The first ‘part’ includes works by a number of composers, the
second has six well-known pieces by Eric Coates and finally there are four tunes
by the Australian composer, Percy Grainger.
Many light music pieces have been
used in TV or Radio programmes as ‘signature’ tunes. Appropriately these have
been noted in the liner notes. I confess that some are before my time! However
many are still in use such as Coates’ ‘Sleepy Lagoon’ used for Desert Island Discs, and Arthur Wood’s
‘Barwick Green’ from The Archers. Special
highlights on this CD include Robert Farnon’s rarely heard ‘swinging’ piece ‘Sunny-Side
Up’. Another gem is the London Transport
Suite by Sidney Torch. Here we can enjoy the escapades of travel in the
Capital from an earlier day. ‘The Hansom Cab’ rattles down the Strand, ‘Rosie
the Red Omnibus’ waits for passengers outside Harrods and the shoppers are
on-board the ‘5.52 from Victorloo’! Intellectuals will enjoy Ray Martin’s ‘Marching
Strings’ which was used in Top of the
Form! Detective-novel enthusiasts will relish Charles Williams’ once
ubiquitous ‘Devil’s Galop’ that featured in Dick
Barton, Special Agent. I had not come across Ron Goodwin’s ‘Red Cloak’,
with its lavish Iberian mood: it is an impressive little piece. And finally, Angela
Morley’s romantic ‘Starlight’ is the perfect complement to Farnon’s ‘Flirt.’
Eric Coates is well represented
on this disc with extracts from his two fine London Suites – the ‘Knightsbridge March’ and the equally catchy,
but less often heard ‘Oxford Street March’.
I particularly enjoyed the hard-to-find ‘Television March’ dating from
1946 – the early days of ‘telly’ indeed.
The ‘Merrymakers Overture’ is a little gem which really epitomises the
genre, was composed as early as 1922. All the Coates pieces are recordings of
the composer conducting the London Philharmonic or Symphony Orchestras. So they
are in many ways definitive, although I do wonder if they were ‘paced’ to fit
on one side of a 78rpm record.
It is a little unusual to include
Percy Grainger in a compilation such as this –especially with four pieces.
However these ‘favourites’ performed by Frederick Fennell and the
Eastman-Rochester ‘Pop’s Orchestra will belay any concerns. Whatever genre they
fall into these are four little masterpieces. And Grainger did spend time on
London, so he could be perhaps he regarded as an ‘honorary’ Englishman’ – at
least for the purposes of this CD! I especially enjoyed ‘Molly on the Shore’,
although ‘Country Gardens’ and the ‘Londonderry Air’ are by far the best known
pieces.
This CD is billed as ‘super
budget’ and certainly at £5.50 is excellent value for money. The liner notes
are helpful and the programme is broad. Finally the sound quality of these
pieces is excellent, bearing in mind that they were ‘laid down’ between 1931
and 1960.
Track Listing:
Track Listing:
Charles WILLIAMS (1893-1978) Devil’s Galop (Dick
Barton, Special Agent)
Robert FARNON (1917-2005) Portrait of a Flirt (In
Town Tonight)
Ray MARTIN (1918-1988) Marching Strings (Top
of the Form)
Arthur WOOD (1875-1953) Barwick Green (The
Archers)
Robert FARNON (1917-2005) Sunny Side Up (BBC
Light Programme)
Ron GOODWIN (1925-2003) Red Cloak
Sidney TORCH (1908-1990) London Transport Suite:-‘The
Hansom Cab’, ‘Rosie The Red Omnibus’, ‘5.52 from Victorloo’
Angela MORLEY (1924-2009) Starlight
George SIRAVO (1916-2000) Bumps-A-Daisy
Eric COATES (1886-1957) By the Sleepy Lagoon (Desert
Island Discs) Television March , ‘Knightsbridge March’
from London Suite, The Merrymakers, Miniature Overture, Calling
All Workers (Music While You Work) ‘Oxford Street March’ from London
Again Suite
Percy GRAINGER (1882-1961) Country Gardens, Shepherd’s
Hey, Molly on the Shore, Londonderry Air
REGIS RRC1381
With thanks to MusicWeb International where this
review was first published
I am a lady of 80 something and was brought up listening to classical and light classical music.I am a professional musician(percussionist)and still playing.It annoys me very much when orchestras professional and amateur don't play enough light classical music.The BBC are also to blame for this. The young people are missing out on this kind of music. What a shame.I must just add that some amateur players think it is below them to play light music and some conductors are just as bad.Sorry!!!
ReplyDeleteI agree 100%!!
ReplyDeleteJ