If any piece of light music by
Richard Addinsell prefigures or nods toward Malcolm Arnold it is the Miniature
Overture: Encore. I was immediately reminded of the marvellously insidious (in
the best possible way) theme from the first movement of Arnold’s Symphony No.4.
Addinsell’s Overture was composed
in 1951 for a film called Encore based
on three Somerset Maugham short stores. At the beginning of each vignette, the
author introduced the story form his beautiful garden Villa Mauresque that is on
Cap Ferrat in the French Riviera. This introduction featured much of the music
from the overture. Snatches of the main melody are used throughout the film
Addinsell’s Overture sparkles
from beginning to end. There is a lovely big tune one seems to have known all
one’s life. Moreover, the accordion gives typically French mood to the music.
It is a perfect balance of humour, romance and even short tone poem describing
a romantic scene on the Riviera. The only problem with this piece is that it is
way too short.
For the curious, I quote from a
review on Amazon UK that outlines the plot of all three stories:-
The first, ‘The Ant and the
Grasshopper’ concerns the trials and tribulations a ne'er-do-well brother, Tom
Ramsey, puts his prim-and-proper businessman brother, George Ramsey through.
The escapades that drive George to absolute distraction eventually wins the
hand of the world's third richest girl, Margaret Vyne, for shiftless Tom; ‘Winter
Cruise’ finds the crew of a cargo boat becoming unglued by the endless chatter
of a spinster passenger named Miss Reid. In a desperate attempt to silence the
prattling busybody, the ship's officers browbeat a French steward, Pierre into
making love to her. The results provide some astounding surprises for the officers,
Pierre, and, for certain, Miss Reid; In ‘The Gigolo and the Gigolette’ segment,
beautiful daredevil Stella Cotman, who entertains the jaded guests of a resort
hotel by diving nightly from an eighty-foot platform into a flaming tank, is
losing her nerve.
Having watched all three stories,
I believe that they hold up surprisingly well. However, I have always had a
soft spot for Somerset Maugham’s stories.
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